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10.30.2013

Cape Fear

"This ensemble has a cape made of tufted coffin lining in a lovely shade of cemetery grey. This little number was very inexpensive. The fabric is made of black widows webs, and the underslip, pure unborn centipede."
                                                                  -Lily Munster

Vampires and superheroes aren't the only ones donning capes this week. Fashionistas around the world are embracing the whimsical accessory that can make you feel mysterious, powerful, or part of a fairytale. Capes, popular for both costumes and everyday wear, have been around for centuries and continue to be a great accompaniment to any fall wardrobe.

Audrey Hepburn, Jacqueline Kennedy Onassis, and Paul McCartney gravitated towards the versatile outerwear. Hepburn wore a beautiful floor-sweeping blue cape in the movie Funny Face that was designed by Hubert de Givenchy. Once she had been draped in one of Givenchy's exquisite designs, she could never go back. “His are the only clothes in which I am myself,” she told reporters in 1956.

Jackie O selected an elegant white cape for her husband's inaugural ball in 1961. Ethel Frankau of Bergdorf Goodman created both the gown and the cape.

Capes can be dramatic or subtle and made out of anything and everything from organza to fur. Who wouldn't want to own an accessory that Red Riding Hood, Dracula, Superman, and the Queen of England can pull off?

My sons both opted to be superheroes this year for Halloween and lo and behold, they will be sporting capes. Having never owned one myself, I decided to make a cape using an exceptionally soft Marc Jacobs wool that I purchased from Mood. Not wanting my arms completely confined, I added openings adorned with zippers on both sides and a zipper up the middle. It was surprisingly easy to make. I learned how to insert the zippers within the garment via a YouTube how to video. I also found time to make a pair of pleated, tapered black pants and a red top with lace accents. Cheers to the cape!


MADE IN KANSAS

10.02.2013

Parting is Such Sweet Sorrow: Jacobs Says Farewell to Louis Vuitton

"You say goodbye and I say hello. Hello, hello. I don't know why you say goodbye, I say hello."
                                                                         -The Beatles

Louis Vuitton Spring 2014
We bid adieu to Paris Fashion Week today just as Marc Jacobs says au revoir to Louis Vuitton. After 16 years of rebuilding the Parisian fashion house, the former LV creative director is packing his bags and heading back to New York where he can focus on his own brand. His final show earlier today took place in the Cour Carrée du Louvre tent where he commemorated his history with LV by creating a magnificent set that included elements from previous shows: a carousel, fountain, pair of escalators, and a grand hotel elevator. 

Valentino Spring 2014
The theme was all about showgirls. “The first thing I thought was about Esther Williams and synchronized swimming,” Jacobs said. “But then I decided I wanted to do something about black, sparkling black, and texture and night!” Feathered headpieces and beaded detailing gave drama to Jacobs's exit collection. And aside from a few pairs of blue jeans, the only color on the models was black. Being his last LV collection, is it a coincidence that he chose the color associated with mourning? He also included the LV graffiti from past handbags, with those three little words, "I love Paris". Jacobs summed up his collection by saying, "It was an ode to Paris and to all the people I have been involved and work with. This city has been so great." After hearing the news of Jacobs's departure, the real question is, what's next for Louis Vuitton? It is rumored that a new creative director will be named by late October. The show must go on!
Chanel Spring 2014

What Louis Vuitton was lacking in color, Valentino and Chanel made up for. Valentino creative directors Maria Grazia Chiuri and Pierpaolo Piccioli gained inspiration from opera. Their designs were full of vibrant hues and gold accessories that complemented the color palette. Karl Lagerfeld's new collection for Chanel was a tribute to art, although when addressing the topic, Lagerfeld said, "I’m collecting books. I have no space for art.” The Grand Palais was transformed into a pseudo gallery with artwork lining the walls. The wearable designs were full of life and Lagerfeld included bright tweeds that will shine next spring. "Life is not a red carpet," Karl explained. "This is for daily life. I wanted color, and a fraîcheur. It’s a very happy mood."



This week I have been sewing my heart out. In fact, there are horrific screeching sounds coming from my serger that are probably a result of overuse. I made a long-sleeved striped cotton tee, cotton sateen black pants, a fully lined zip-up jacket out of an Italian fabric, and a graphite colored dress with cap sleeves. Pants are not my forté, so they were a challenge and the jacket was my biggest accomplishment thus far. It took me quite some time to figure out how to properly line the jacket while also installing a zipper up the front.

The dress was a fairly simple design, so I wanted to add interesting belt loops. The only fabric I had to work with at that point were two scraps that were cut into cap sleeves. I added white trim so they would stand out, attached them to the dress, and voilà!

MADE IN KANSAS